Review: DJ Hell - ‘neoclash’

Dance music has taken many forms in modern times, becoming a fluid culmination of the global influences pouring into it. DJ Hell, an originator of the electroclash scene in the early ‘90’s and former resident of legendary clubs Tresor and Berghain, digs his heels into the hyper-localized and entrenched sound of Berlin techno on his new album Neoclash, released through his own International DeeJay Gigolo Records label. Like many brutalistic structures that dominate the Berlin landscape, the electronics here are dark, towering and impenetrable. Far from two-dimensional though, Hell also sources from the neo-classical architecture of the region, with intricate harmonics that wouldn’t feel out of place in a gothic cathedral. This music is the perfect backdrop for sweat-soaked nights at Berghain, hearkening back to the days of black trench coats and stomping combat boots.

However, it would be a gross misrepresentation to call this music “a thing of the past.” While remnants of past ideologies linger, they resonate more as dark transmissions from a dystopian bygone era. The electro propulsion rendered from the synthesizers feels fresh—rubbery basslines laced with whip crack hi-hats jettison the body through space. Organ stabs add a grandiosity that elevates the music into a spiritual ether that feels timeless. It also creates a near religious fervor. Contrasting with the bright hymns which come from above, DJ Hell’s spiritual inspiration rises from below, fostering a more sinister yet enjoyable form of worship. And damn, it’s good.