douglas schmidt 2/27/26 douglas schmidt 2/27/26

New Music: february 27, 2026

New and notable electronic releases for Friday, February 27, 2026, according to the Lunatic.

New and notable electronic releases according to the Lunatic:

23.4 - Elevation (Dub Consistency)
Alinka - Changes (!K7)
Brendon Moeller - Sprawl Circuitry (Delsin)
Caterina Barbieri & Bendik Giske - At Souce (light-years)
KABEAUSHÉ - KABEAUSHÉ PRESENTS: I.S.U.I.L.P (KABEAUSHÉ)
Kent Watari - subtraction in spiral (Phantom Limb)
Kwes. - Kinds (Warp)
LB aka LABAT - Feel So Good Around U (Because)
Marco Shuttle - Sumud (Samurai Music)
Molto Ohm - Reality Pills (Soap Library)
Myoptik - Ancient Adventures (Ping Discs)
Nondi_ - Nondi… (Planet Mu)
Per Hammar - Ohm Alone (Kalahari Oyster Cult)
re:ni & BiggaBush - Bass Is The Space (Ilian Tape)
Sam Goku- Yulun (Paryía)
Second Story - Descend to Ascend (Frustrated Funk)
Speedy J - STOOR Soundchecks 2 (STOOR)
Stones Taro - Foglore#1 (Taro Nakano)
Subb-an - Sunchaser (Aus Music)
Various Artists - Kapote Presents Toy Tonics Wildstyle House Vol. 1 Toy Tonics)
Zora Jones - Angel Crisis (Bellyfat)

douglas schmidt 2/20/26 douglas schmidt 2/20/26

New Music: february 20, 2026

New and notable electronic releases for Friday, February 20, 2026, according to the Lunatic.

New and notable electronic releases according to the Lunatic:

Aleksi Perälä - Dream (self-released)
Andre Zimmer - Swamp Circuit (Craigie Knowes)
Andy Martin & Christian Coifure - Andy Martin / Christian Coifure Split (Bait)
Anthony Naples - In Studio Magic (ANS)
Apparat - A Hum of Maybe (Mute)
Arthur Clees - All The Days That Go By (SOWASVON)
Bogdan Racyznski - Scroll Till You Die (Disciples)
Ben Vince - Street Druid (AD 93)
Carré - Hibiscus (Tempa)
DJ Swella - EP3 (Clone Records)
d’Voxx - HERZOG: A Retrospective (Something Else Music)
Gooooose - Wriggle (SVBKVLT)
Henrik Raabe - LDS (Mule Musiq)
James Bangura & JR2K - Floorspeed 005 (Floorspeed)
Jerrau - It all starts with this (Who’s Susan)
LWS - Gubbins (TraTraTrax)
Marielle V. Jakobsons - The Patterns Lost To Air (Thrill Jockey)
Nathan Fake - Evaporator (InFiné)
Out Of Place Artefacts (Rødhåd and Vril) - A Complex Interplay of Zeros and Ones (WSNWG)
Peaches - No Lube So Rude (Kill Rock Stars)
Phew & Danielle de Picciotto - Paper Masks (Mute)
Promising/Youngster - Navaras (Analogical Force)
Pugilist - Maternal (Shall Not Fade)
Regal86 - Doble Filo (Discos Nutabe)
Susumu Yokota - The Boy and The Tree (Lo Recordings)
Trois-Quarts Taxi System - Scarecrow (Maloca)
Various Artists - STAUB 10 (STAUB)

douglas schmidt 2/13/26 douglas schmidt 2/13/26

New Music: february 13, 2026

New and notable electronic releases for Friday, February 13, 2026, according to the Lunatic.

New and notable electronic releases according to the Lunatic:

Acidulant - Let Acid Move Your Body
Brendon Moeller - Motion (fossils)
Brendon Moeller - Soft Collapse of Meaning (Steadfast Records)
Calx - Time Vortex (Pulse State)
Detroit in Effect - Who’s In Control (Clone Records)
Danny L Harle - Cerulean (XL Recordings)
femtanyl - MAN BITES DOG (entitii records)
Galcher Lustwerk - Vestibule (Stratasonic)
Innershades - Homage II (Clone Records)
James Shinra - Shinra Electro Company Vol. 2 (self-released)
Luxus Varta - Noise Figure (Shipwrec)
Mathys Lenne - The Poet and The Muse (Mord Records)
Mike INZINGER - Clear (MIR Records)
Nacht - Nacht (Aesthetical)
OK EG - GEKO01 (GEKO)
Placid Angles - Canada (Oathcreations)
PRESTi - TIN077 (Time Is Now)
Rosa Pistola - Dance All Night (La Chekera REC)
Rufige Kru - Metal Giants (Goldie Inc.)
Surgeons Girl - A Moment To Machine (Livity Sound)
Various Artists - 15 Years of Butter Sessions (Butter Sessions)
Various Artists - Coalescence (The Third Room)
Versalife - Crack City (Lennert van Son)
virtue_signal - Locked In (Denied Music)

douglas schmidt 2/1/26 douglas schmidt 2/1/26

top 10 electronic albums 2025

The top 10 electronic albums of 2025 according to the Lunatic.

The top 10 electronic albums of 2025 according to the Lunatic:

10. Decius – Vol. II (Splendour and Obedience)

Hard to believe this lands on a top list in a year stacked with artistic achievements, but it’s just that good. Groovy acid lines run rampant across ten—dare I say—delicious tracks built for the darkest, sweatiest dancefloors imaginable. Low-brow by design and exactly what we’ve come to expect from the Trashmouth Records collaborators, it’s elevated by some of the brawniest acid put to wax—courtesy of Mount Rushmore contender Quinn Whalley of Paranoid London.

Fronted by the snarled vocals of Lias Saoudi, dark satirical scenarios are phoned in, distorted, and half-understood over grime-slicked grooves. Like getting lost on a dancefloor deep into the night, it’s hard to tell where pleasure ends and nausea begins. This funhouse of pagan hedonism revels in excess, each track conjuring images of flesh soaked in sweet, sticky wine and meaty indulgence.

9. Aya – Hexed

Aya delivers one of 2025’s most twisted releases, smashing genres into something like electro power-DNB possessed by slam poetry. Abrasive yet catchy, it keeps you guessing—something always lurking just around the corner. As Aya puts it on “Heat Death”: “there’s no telling this time where you’ll end up.”

What might sound like a blunt-force self-exorcism reveals itself as genuine catharsis, aimed squarely at healing a wounded soul. It’s frightening, jarring, and relentlessly physical, always dragging the listener back into the body. With each resurfaced trauma comes the possibility of a masochistic epiphany—acceptance through impact.

8. Metachok – Wide Awake

Wide Awake nails the balance between pop’s shiny-chrome allure and the mind-bending experimentation of a contemporary art space. Each track is built from soft, childlike emotional fragments—rubbery, frantic, strange, and undeniably fun. These fleeting tunes stir a longing you haven’t felt since your first crush.

Stuttering beats and IDM flourishes splash color across the mix, giving the album a late-night Dance Dance Revolution energy. It’s most effective in youthful, post-peak hours—tracks that could slide seamlessly between Pitbull’s “Give Me Everything” and Fun’s “We Are Young,” minus the problematic messaging.

7. Barker – Stochastic Drift

Barker continues to stretch the definition of club music on Stochastic Drift. Whether it even qualifies is up for debate, but all the pieces are here—just scattered, colliding, and beautifully misaligned. Sounds ricochet like a mutant hybrid of Pong and Tetris, producing a satisfaction that feels both playful and strangely safe.

Warm, soft tones shimmer beneath disquieting unpredictability. This is music you might drift off to, or just as easily ride into a semi-lucid dream state. It rewards attention without demanding it, offering a generous canvas where the listener’s imagination can roam freely—creativity meeting creativity in a rare sweet spot.

6. James K – Friend

James K’s Friend opens in comfortably familiar territory. “Days Go By” glows with Enya-like warmth, its apparent simplicity masking finely tuned mechanical detail beneath a thick haze. Downtempo rhythms meet agile production, gliding between club spaces, dub textures, and flashes of drum and bass.

True to its title, the album wraps around you like an old friend—one who carries comfort through memory alone. That quiet assurance runs throughout, anchored by James K’s soft yet commanding voice as it drapes itself across each track. Perfect for cocoa by the fire, or as a gentle re-entry point after a long night out.

5. Blawan – SickElixir

Blawan has been abusing club systems for over a decade, and in 2025 he distills that chaos into its purest form. SickElixir is potent, its mutant electronics casting a kind of black magic best absorbed in a trance—where the body takes over and the mind lets go.

It might resemble a bad trip, but it’s far too playful for that. The album unfolds like a warped funhouse, transforming the body into a golem—spirit evacuated, rhythm possessed. You may stumble out with a hangover, but the damage is worth it.

4. Aleksi Perälä – Vortex I

Cherished for his unmistakable signature sound, Aleksi Perälä always sounds like himself—and never like anyone else. His sequencing is masterful and immediately identifiable, as are the chiming bells, synth squelches, and breakneck drum programming. This is chaotic techno moving so fast it feels like it’s about to derail at any moment—something it never does, thanks to Perälä’s absolute control over his sound.

Vortex I opens its wormhole with the clattering, early-’90s IDM pulse of FI3AC2511701, a track that wouldn’t feel out of place alongside early Polygon Window. That familiarity feels intentional: a rift opening at a fixed point in spacetime, only to spill out somewhere entirely different. By the third track, FI3AC2511703, new shapes emerge—ideas so inventive they register as alien. True to its name, the vortex steadily intensifies, its chaotic pull tightening until you’re fully enveloped. For an artist often navigating familiar terrain, this feels like a genuine new pathway—and one of Perälä’s strongest releases to date.

3. Los Thuthanaka – Los Thuthanaka

Los Thuthanaka pulled off something genuinely irregular in 2025: breaking into the mainstream with fiercely experimental electronic music. It’s surprising how often this record appears on year-end lists—and then, not surprising at all. Push through the repetitive, abrasive noise—like a detuned radio drilling into your ear—and brace for wave after wave of crashing tonality with no bass drop in sight, and something strange happens. You stop resisting the current and start moving with it.

What initially feels like learning a dance mid-performance slowly settles into muscle memory. With each percussive strike and loop of guitar feedback, a sense of release takes hold—steps beginning in tradition before veering into unknown space. At a moment when the present feels unmoored from its past, Los Thuthanaka forges a new tradition altogether, one that points toward a future that feels unexpectedly bright. Nothing could feel more necessary right now.

2. Saint Abdullah & Eomac – Of No Fixed Abode

The brothers behind Saint Abdullah reunite with Eomac in 2025, joined by a constellation of familiar collaborators, including percussionist Jason Nazary. This album sits near the top of the list because it functions as a complete work of art—one that folds history into itself and inscribes its meaning through meticulously woven rhythm and sound. The opening track alone nearly earns it the spot. “Without Any” begins in an ethereal haze, sparse snares flickering through the air before gradually gathering momentum. Midway through, clicks and whirs emerge like an ancient Rube Goldberg machine grinding to life, before the track finally bursts into radiant sunlight.

From there, each piece tells an age-old story, steeped in Islamic imagery that casts a mysterious sheen over the entire album. “Vulnerable in a Spreadsheet” feels like the vibration of strings binding the foundations of existence itself, while “I See Machines” delivers prophecy and hard-won wisdom. Track by track, the record unfolds like a golden thread leading into magnificent spaces beyond this realm. Cuts like “GodspeedU” tap into a framework shared by the greats—a fleeting glimpse of the eternal, where everyday struggle dissolves into a wider cosmic swirl, and pain is revealed as a temporary condition in the face of universal truth.

1. Nourished by Time – The Passionate Ones

At last, the number one album of the year—according to a certified lunatic, of course. In 2025, what could possibly cut through our sickly, overstimmed brains? Nourished by Time delivers the antidote. Warm, idiosyncratic croons glide over retro-inspired electronics, with experimental flourishes locking into a kind of effortless pop perfection.

But it’s not just the sound—it’s the heart embedded in every track. Each song carries a generous dose of love and care, with lyrics that grow more relatable by the minute. From palm readings and cult flirtations to drug dependency and dreaming through relentless 9-to-5s, this album wrestles with how to take responsibility for ourselves without collapsing under the weight of our shame. It’s not easy out there—especially not in 2025.

The Passionate Ones offers genuine refuge from the surrounding chaos. On his beautiful closing meditation, “When the War Is Over,” Nourished by Time delivers a line that cuts straight to the core: “Baby, if you love me, maybe I’ll surrender, when the war is over.” In that quiet optimism, we’re handed the tools for survival. Love endures—and we’re invited, gently, to surrender to it.